Eldorado (Remastered) Electric Light Orchestra

• 1 Eldorado Overture 02:12
• 2 Can't Get It out of My Head 04:26
• 3 Boy Blue 05:19
• 4 Laredo Tornado 05:30
• 5 Poorboy (The Greenwood) 02:58
• 6 Mister Kingdom 05:08
• 7 Nobody's Child 03:57
• 8 Illusions in G Major 02:37
• 9 Eldorado 05:18
• 10 Eldorado Finale 01:30
• Total Runtime 38:55

Info zu Eldorado (Remastered)

Though 1974's „Eldorado“ is subtitled 'A Symphony by the Electric Light Orchestra' and features both a portentous spoken-word prologue and an instrumental finale, this album marks Jeff Lynne's final break from classical-rock fusion in the Emerson, Lake & Palmer sense. Though there're a handful of recognizable lifts from classical and romantic composers, particularly in the swelling opening of 'Boy Blue' and the grandly-titled 'Illusions in G Major,' most of the orchestral arrangements here are in service to Lynne's increasingly accomplished pop songs. One of those is 'Can't Get It Out of My Head,' a classic '70s pop ballad and FM radio staple that's among Lynne's very best work. Though this was the only hit single on „Eldorado“, the rest of the album is nearly as strong. 'Laredo Tornado,' a Lennonesque mid-tempo strut recalling ELO's earlier hit 'Showdown,' is a particular standout. Worldwide superstardom was just around the corner.

„This is the album where Jeff Lynne finally found the sound he'd wanted since co-founding Electric Light Orchestra three years earlier. Up to this point, most of the group's music had been self-contained -- Lynne, Richard Tandy, et al., providing whatever was needed, vocally or instrumentally, even if it meant overdubbing their work layer upon layer. Lynne saw the limitations of this process, however, and opted for the presence of an orchestra -- it was only 30 pieces, but the result was a much richer musical palette than the group had ever had to work with, and their most ambitious and successful record up to that time. Indeed, Eldorado was strongly reminiscent in some ways of Sgt. Pepper's Lonely Hearts Club Band. Not that it could ever have the same impact or be as distinctive, but it had its feet planted in so many richly melodic and varied musical traditions, yet made it all work in a rock context, that it did recall the Beatles classic. It was a very romantic work, especially on the opening 'Eldorado Overture,' which was steeped in a wistful 1920s/1930s notion of popular fantasy (embodied in movies and novels like James Hilton's Lost Horizon and Somerset Maugham's The Razor's Edge) about disillusioned seekers. It boasted Lynne's best single up to that time, 'Can't Get It Out of My Head,' which most radio listeners could never get out of their respective heads, either. The integration of the orchestra would become even more thorough on future albums, but Eldorado was notable for mixing the band and orchestra (and a choir) in ways that did no violence to the best elements of both.“

Jeff Lynne, lead & backing vocals, bass guitars, keyboards, orchestra and choral arrangements
Bev Bevan, drums, percussion
Richard Tandy, piano, Moog synthesizer, clavinet, piano, guitar, backing vocals, orchestra, and choral arrangements
Mike de Albuquerque, bass & backing vocals
Mike Edwards, cello
Mik Kaminski, violin
Hugh McDowell, cello

Recorded February – August 1974 at De Lane Lea Studios, London, United Kingdom Produced by Jeff Lynne

Digitally remastered