Reflections Víkingur Ólafsson

Album info

Album-Release:
2021

HRA-Release:
12.03.2021

Label: Deutsche Grammophon (DG)

Genre: Classical

Subgenre: Instrumental

Artist: Víkingur Ólafsson

Composer: Claude Debussy (1862-1918), Jean-Philippe Rameau (1683-1764)

Album including Album cover

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  • Claude Debussy (1862 - 1918):
  • 1 Debussy: Préludes / Book 2, L. 123: 5. Bruyères (Home Session) 03:33
  • Hania Rani (b. 1990):
  • 2 La damoiselle élue: : La damoiselle élue (Hania Rani Rework (After Claude Debussy)) 05:05
  • Claude Debussy:
  • 3 Debussy: Préludes / Book 2, L. 123: 10. Canope (Home Session) 03:46
  • Helgi Jonsson (b. 1979):
  • 4 Footsteps: : Footsteps 03:35
  • Christian Badzura:
  • 5 Badzura: : Muse d'eau 03:33
  • Hugar:
  • 6 L'entretien des muses: : L'entretien des muses (Hugar Rework (After Jean-Philippe Rameau)) 05:23
  • Christian Badzura:
  • 7 Badzura: : K.A.H.D. 04:25
  • Víkingur Ólafsson (b. 1984):
  • 8 Ólafsson: : Reflection 05:32
  • Claude Debussy: Pour le piano, L. 95:
  • 9 Debussy: Pour le piano, L. 95: 1. Prélude 04:04
  • 10 Debussy: Pour le piano, L. 95: 2. Sarabande 05:20
  • 11 Debussy: Pour le piano, L. 95: 3. Toccata 03:58
  • Clark:
  • 12 Drowned Haiku: : Drowned Haiku 04:10
  • Claude Debussy:
  • 13 Debussy: Préludes / Book 2, L. 123: 10. Canope 03:52
  • Balmorhea:
  • 14 La Cupis: : La Cupis (Balmorhea Rework (After Jean-Philippe Rameau)) 04:25
  • Christian Badzura:
  • 15 Badzura: : K.A.H.D. (Home Session) 04:20
  • Claude Debussy:
  • 16 Debussy: Préludes / Book 2, L. 123: 5. Bruyères 03:34
  • Total Runtime 01:08:35

Info for Reflections

Farbenreiche Reflexionen über Debussy und Rameau: Víkingur Ólafsson steht gleichermaßen für ausgereifte Interpretationskunst und innovative Programmgestaltung. Erst Ende März 2020 hat der isländische Pianist sein drittes Album mit Werken von Jean-Philippe Rameau und Claude Debussy bei Deutsche Grammophon veröffentlicht, das seither über 20 Millionen Mal gestreamt wurde. An diesen Erfolg möchte der kreative Musiker anknüpfen und kündigt für die nächsten Monate unter dem Titel “Reflections” mehrere Veröffentlichungen an, die in einem Album münden an. Dieses umfasst sowohl unveröffentlichte Originalkompositionen wie Debussys “Pour le Piano” oder die Stücke “Bruyeres” und “Canope” aus Debussys Präludien-Zyklus als auch Neuinterpretationen durch Víkingur Ólafsson selbst und verschiedene andere Künstler, darunter, Hania Rani, das Ensemble Balmorhea oder Helgi Jonsson. Schon jetzt steht der erste Titel zum Download und im Stream bereit.

Vielversprechender Einblick: Arrangement von Debussys “La damoiselle élue, L. 62: Prélude”

Das Originalwerk “La damoiselle élue” von Claude Debussy ist eine weltliche Kantate, die der Komponist als Stück für zwei Solistinnen, Frauenchor und Orchester geschaffen hat und deren Uraufführung 1893 in Paris stattfand. Auf Ólafssons Rework-Album ist diese in einer reizvollen Bearbeitung durch Hania Rania zu erleben, die sich darin auf die ersten Akkorde des Stücks konzentriert, die von heiterer meditativer Kraft sind, bevor im weiteren Verlauf der Überarbeitung zarte Arpeggien und verträumte, melancholische Klangflächen die Atmosphäre bestimmen.

„Jedes Album dieses Pianisten ist ein Essay.“ (The New York Times)

Víkingur Ólafsson, Klavier




Víkingur Ólafsson
Possessing a rare combination of passionate musicality, explosive virtuosity and intellectual curiosity, Icelandic pianist Víkingur Ólafsson has won all the major prizes in his native country, including four Musician of the Year prizes at the Icelandic Music Awards as well as The Icelandic Optimism Prize.

Víkingur’s 2016/17 season includes performances with NDR Elbphilhamonie Orchester and Los Angeles Philharmonic under Esa-Pekka Salonen, tour with Orkester Norden (Lawrence Foster) and concerts with Iceland Symphony Orchestra (Yan Pascal Tortelier) and MDR Sinfonieorchester (Kristjan Järvi). Since February 2016 he has taken over from Martin Fröst as Artistic Director of Vinterfest in Sweden while continuing in the same role for the award winning Reykjavík Midsummer Music, which he founded in 2012. In recital he will make his debut at Wiener Konzerthaus, Konzerthaus Berlin, Elbphilharmonie Hamburg, Louisiana Museum for Modern Art Denmark, La Folle Journée Festival as well in Leipzig and at the Istanbul Music Festival.

Víkingur signed an exclusive agreement with Deutsche Grammophon in November 2016. His debut album for DG will feature the piano works of Philip Glass and is set to be released in time for the composer’s 80th birthday in January 2017. In 2015 Víkingur recorded solo works by Igor Stravinsky for the company’s complete works edition of the composer and before that, he released 3 albums on his own label, Dirrindí Music. The first two were solo discs; ‘Debut’, (showing “exceptional perception and depth of maturity,” said EPTA Journal) and ‘Chopin-Bach’ (prompting Piano News Magazine to say “Immense talent … you must listen to this young pianist!”). His third album was a double CD/DVD release of ‘Winterreise’ with bass Kristinn Sigmundsson, which won the Album of the Year award at the Icelandic Music Awards 2012.

Víkingur has premiered five piano concertos to date and worked with composers including Philip Glass, Mark Simpson and Daníel Bjarnason. He has collaborated with leading artists from diverse fields, such as Roman Signer, Lillevan and Yann Malka, and appeared at festivals such as Busoni and Transart (Bolzano), MITO SettembreMusica (Milano) and Nordic Cool (Washington DC). When it comes to his relationships with other musicians, Víkingur has worked with Sayaka Shoji, István Várdai, Martin Fröst, Pekka Kuusisto and Björk.

Away from the concert stage, Víkingur is the driving force behind numerous innovative musical projects. Most recently the classical music television series, Útúrdúr (Out-of-tune), produced for the Icelandic National Broadcasting Service in 2013-14, was broadcast to unanimous critical and public acclaim.

Víkingur grew up in Iceland where he studied with Erla Stefánsdóttir and Peter Máté. He holds Bachelor’s and Master’s degrees from The Juilliard School, where he studied with Jerome Lowenthal and Robert McDonald.



This album contains no booklet.

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