Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) (Remastered) Joni Mitchell

Album info

Album-Release:
2023

HRA-Release:
06.10.2023

Label: Rhino/Elektra

Genre: Pop

Subgenre: Adult Contemporary

Artist: Joni Mitchell

Album including Album cover

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  • Graham Nash David Crosby Session:
  • 1 Cold Blue Steel and Sweet Fire (Graham Nash David Crosby Session) 03:58
  • 2 For the Roses (Graham Nash David Crosby Session) 04:03
  • For the Roses Demos:
  • 3 Banquet (For the Roses Demo) 03:13
  • 4 Lesson in Survival (For the Roses Demo) 03:14
  • 5 Like Veils Said Lorriane (For the Roses Demo) 02:15
  • 6 See You Sometime (For the Roses Demo) 03:04
  • Live at Carnegie Hall, New York, NY, 2/23/1972:
  • 7 This Flight Tonight (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:30
  • 8 Electricity (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:25
  • 9 Cold Blue and Sweet Fire (Live at Carnegie Hall, New York, NY, 2/23/1972) 05:21
  • 10 Big Yellow Taxi (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:15
  • 11 Blue (Live at Carnegie Hall, New York, NY, 2/23/1972) 02:37
  • 12 For Free (Live at Carnegie Hall, New York, NY, 2/23/1972) 04:36
  • 13 Banquet (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:19
  • 14 All I Want (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:37
  • 15 Intro to A Case of You (Live at Carnegie Hall, New York, NY, 2/23/1972) 00:38
  • 16 A Case of You (Live at Carnegie Hall, New York, NY, 2/23/1972) 04:40
  • 17 Intro to Carey (Live at Carnegie Hall, New York, NY, 2/23/1972) 01:28
  • 18 Carey (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:18
  • 19 Lesson in Survival (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:17
  • 20 Woodstock (Live at Carnegie Hall, New York, NY, 2/23/1972) 04:05
  • 21 Intro to You Turn Me On I'm a Radio (Live at Carnegie Hall, New York, NY, 2/23/1972) 00:29
  • 22 You Turn Me On I'm a Radio (Live at Carnegie Hall, New York, NY, 2/23/1972) 02:54
  • 23 Intro to For the Roses (Live at Carnegie Hall, New York, NY, 2/23/1972) 00:37
  • 24 For the Roses (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:52
  • 25 Both Sides Now (Live at Carnegie Hall, New York, NY, 2/23/1972) 05:41
  • 26 My Old Man (Live at Carnegie Hall, New York, NY, 2/23/1972) 03:53
  • 27 Intro to The Circle Game (Live at Carnegie Hall, New York, NY, 2/23/1972) 01:49
  • 28 The Circle Game (Live at Carnegie Hall, New York, NY, 2/23/1972) 05:56
  • For the Roses Early Sessions:
  • 29 Medley: Bony Moronie/Summertime Blues/You Never Can Tell (with James Taylor) [For the Roses Early Sessions] 03:58
  • 30 Electricity (with James Taylor) [For the Roses Early Sessions] 03:32
  • 31 You Turn Me On I'm a Radio (with Neil Young & The Stray Gators) [For the Roses Early Sessions] 03:25
  • 32 See You Sometime (Early Version with Bass and Drums) [For the Roses Early Sessions] 03:10
  • 33 You Turn Me On I'm a Radio (Early Version with Bass and Drums) [For the Roses Early Sessions] 02:57
  • Live at Royal Festival Hall, London, England, 5/5/1972:
  • 34 Intro to Judgement of the Moon and Stars (Ludwig's Tune) [Live at Royal Festival Hall, London, England, 5/5/1972] 00:45
  • 35 Judgement of the Moon and Stars (Ludwig's Tune) [Live at Royal Festival Hall, London, England, 5/5/1972] 05:48
  • For the Roses Sessions:
  • 36 Blonde in the Bleachers (Alternate Guitar Mix) [For the Roses Sessions] 02:42
  • 37 Let the Wind Carry Me (Piano/Vocal Mix) [For the Roses Sessions] 03:59
  • 38 Barangrill (Guitar/Vocal Mix) [For the Roses Sessions] 02:51
  • 39 Cold Blue Steel and Sweet Fire (Sax Guide Vocal) [For the Roses Sessions] 04:17
  • 40 Sunrise Raga (For the Roses Sessions) 03:41
  • 41 Twisted (Early Alternate Version) [For the Roses Sessions] 02:00
  • Live at Paul Sauvé Arena, Montreal, Quebec, Canada, 4/15/1973:
  • 42 Intro to Big Yellow Taxi (Live at Paul Sauvé Arena, Montreal, Quebec, Canada, 4/15/1973) 00:58
  • 43 Big Yellow Taxi (Live at Paul Sauvé Arena, Montreal, Quebec, Canada, 4/15/1973) 02:40
  • Court and Spark Demos:
  • 44 Piano Suite: Down to You / Court and Spark / Car on a Hill / Down to You (Court and Spark Demo) 12:33
  • 45 People's Parties (Court and Spark Demo) 03:02
  • 46 Help Me (Court and Spark Demo) 03:31
  • 47 Just Like This Train (Court and Spark Demo) 03:48
  • 48 Raised on Robbery (Court and Spark Demo) 02:54
  • 49 Trouble Child 03:53
  • 50 Raised On Robbery (Early Working Version) [Wild Tales Session] 03:09
  • 51 Raised On Robbery (with Neil Young & The Santa Monica Flyers) [Tonight's the Night Session] 03:35
  • 52 People's Parties (Early Alternate Take) [Court and Spark Sessions] 02:49
  • 53 Trouble Child (Early Alternate Take) [Court and Spark Sessions] 03:40
  • 54 Car on a Hill (Early Alternate Take) [Court and Spark Sessions] 02:37
  • 55 Down to You (Early Alternate Take) [Court and Spark Sessions] 05:36
  • 56 The Same Situation (Alt Vocal/Piano Mix) [Court and Spark Sessions] 03:08
  • 57 Bonderia (Court and Spark Sessions) 03:20
  • Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974:
  • 58 Introduction (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 00:38
  • Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974:
  • 59 This Flight Tonight (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 03:38
  • 60 You Turn Me On I'm a Radio (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 04:23
  • 61 Free Man in Paris (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 03:14
  • 62 The Same Situation (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 03:35
  • 63 Just Like This Train (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 04:17
  • 64 Rainy Night House (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 04:16
  • 65 Woodstock (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 05:04
  • 66 Cactus Tree (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 05:29
  • 67 Big Yellow Taxi (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 03:15
  • 68 Intro to People's Parties (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 06:06
  • 69 People's Parties (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 03:01
  • 70 All I Want (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 03:49
  • 71 A Case of You (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 05:03
  • 72 Intro to For the Roses (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 07:52
  • 73 For the Roses (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 04:14
  • 74 Cold Blue Steel and Sweet Fire (feat. Tom Scott) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 05:30
  • 75 Blue (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974) 02:48
  • 76 For Free (with Tom Scott) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 04:39
  • 77 Trouble Child (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 04:10
  • 78 Help Me (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 03:57
  • 79 Car on a Hill (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974] 02:52
  • Live at New Victoria Theatre, London, England, 4/22/1974:
  • 80 Intro to Jericho (Live at New Victoria Theatre, London, England, 4/22/1974) 00:29
  • 81 Jericho (Live at New Victoria Theatre, London, England, 4/22/1974) 03:16
  • Live at Wembley Stadium, London, England, 9/14/1974:
  • 82 Woman of Heart and Mind (Live at Wembley Stadium, London, England, 9/14/1974) 03:34
  • Demos:
  • 83 In France They Kiss On Main Street (Demo) 03:05
  • 84 Edith and the Kingpin (Demo) 03:32
  • 85 Don't Interrupt the Sorrow (Demo) 02:27
  • 86 Shades of Scarlet Conquering (Demo) 04:52
  • 87 The Boho Dance (Demo) 03:53
  • 88 Harry's House (Demo) 04:01
  • 89 Dreamland (Demo) 04:07
  • The Hissing of Summer Lawns Sessions:
  • 90 In France They Kiss On Main Street (Alternate Version) [The Hissing of Summer Lawns Sessions] 03:25
  • 91 The Jungle Line (Guitar/Alternate Vocal) [The Hissing of Summer Lawns Sessions] 04:36
  • 92 Edith and the Kingpin (Alternate Version) [The Hissing of Summer Lawns Sessions] 03:35
  • 93 Don't Interrupt the Sorrow (Alternate Version) [The Hissing of Summer Lawns Sessions] 04:13
  • 94 Shades of Scarlet Conquering (Alternate Version) [The Hissing of Summer Lawns Sessions] 05:41
  • 95 The Boho Dance (Alternate Version) [The Hissing of Summer Lawns Sessions] 03:54
  • 96 Dreamland (Early Alternate Band Version) [The Hissing of Summer Lawns Sessions] 04:43
  • Total Runtime 05:51:35

Info for Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) (Remastered)

"Joni Mitchell Archives": Die Grammy-ausgezeichnete Reihe geht in die dritte Runde und beleuchtet die Jahre 1972-1975.

Es warten u. a. nie zuvor gehörte Demos, frühe und alternative Versionen von Klassikersongs, historische Performances und ein 40-seitiges Buch mit Fotos und Gesprächen mit Joni & Cameron Crowe, außerdem Sessions mit James Taylor, Neil Young & Tom Scott & the L.A. Express.

Wir schreiben das Jahr 1972. Joni Mitchell hatte jüngst „Ladies of the Canyon” (1970) und Blue (1971) veröffentlicht, zwei Alben, die beide Platin-Status erlangten und ihr einzigartiges Talent als Songwriterin ebenso untermauerten wie eine seltene poetische Begabung. Es waren Alben, deren Kunstfertigkeit und Wahrhaftigkeit Generationen von Songwriter:innen beeinflussen und inspirieren sollten. Doch Joni Mitchell hatte in diesem Moment ganz andere Sorgen: Egal, was sie tat, ständig wurde es in den Medien plattgewalzt. Von der Wahl ihres Stils bis zu ihren Liebesbeziehungen, war ihr Lebensstil Thema in den Klatschspalten und das nach ihrem Gefühl wesentlich öfter als ihre männlichen Kollegen.

Mitchell wurde immer argwöhnischer und hatte bereits 1970 ihren vorzeitigen Abschied von der Bühne angekündigt. In der Folge zog sie in die ruhigen Weiten der Sunshine Coast von British Columbia in Kanada. Es war ein fruchtbarer Tapetenwechsel. Inspiriert von der Nähe zur Natur und erfrischt von der friedlichen Abgeschiedenheit, begann sie mit der Arbeit an den Songs, die zu „For The Roses“ werden sollten, ihr im November 1972 veröffentlichtes Album. Und nicht nur das: die Auszeit schien in Mitchell neue kreative Schleusen zu öffnen, die in der Folge weitere Alben hervorbrachte, neben „For The Roses“ außerdem „Court And Spark“ (1974) und „The Hissing Of Summer Lawns“ (1975), die ihren musikalischen Wirkungsbereich gleichzeitig erweitern und verfeinern sollten. Die waghalsigen, komplizierten Arrangements und ihre immer größere Wirkmacht als Bandleaderin sorgten dafür, dass diese Songs genau wussten, wo sie hinwollten. Sie waren kraftvoll und voller Aufbruchsstimmung – eine der aufregendsten Phasen in einer nahezu unvergleichlichen Karriere.

Diese Ära rückt auf „Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975)“ noch stärker in den Fokus, das am 6. Oktober 2023 bei Rhino Records erscheint. Es ist die jüngste Ausgabe von Rhinos fortlaufender, Grammy-gekrönter Reihe, die Licht in das Dunkel der riesigen, unerschlossenen Archive seltener Joni-Mitchell-Aufnahmen bringt, auf eindringliche Weise geprägt von Mitchells eigener Vision und persönlicher Note.

Joni Mitchell

Digitally remastered



Joni Mitchell began as the archetype of the folkie female singer-songwriter, an heir to Joan Baez. But she quickly moved forward, incorporating influences from jazz and the blues. 'Joni Mitchell heard Billie Holiday sing 'Solitude' when she was about nine years old — and she hasn't been the same since,' says Herbie Hancock. Those lessons of emotional vulnerability are evident in her delicate soprano trill, as well as in the undisguised wear of the sultry voice of her later work, punctuated by her jazzy syncopation. 'Joni's got a strange sense of rhythm that's all her own,' Bob Dylan told Rolling Stone. Above all, Mitchell won't be boxed in. 'The way she phrases always serves the lyrics perfectly, and yet her phrasing can be different every time,' Hancock says. 'She's a fighter for freedom.' (Source: Rolling Stone Magazine)

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