They that in Ships to the Sea down go: Music for the Mayflower Passamezzo

• Anonymous:
• 1 Psalm 137 02:14
• Richard Allison (1560 - 1606):
• 2 The Lord's Prayer 01:29
• Anonymous:
• 3 London's Lottery 03:35
• 4 We Be Three Poor Mariners - Row Well Ye Mariners 02:04
• Richard Allison:
• 5 The Lamentation 03:51
• Anonymous:
• 6 The Most Cruel Murther of Edward the Fifth 04:59
• 7 Rogero 01:34
• 8 A Lamentable Ditty on the Death of the Lord Guildford Dudley 02:09
• Richard Allison:
• 9 Psalm 122 02:20
• John Dowland (1563 - 1626):
• 10 The Shepherd's Pipe 03:35
• Anonymous:
• 11 The Shepherds Joy 02:29
• 12 The Inconstancy of the World 03:10
• Richard Allison:
• 13 Psalm 147 04:23
• Anonymous:
• 14 The Wind Blows Out of the West 01:34
• 15 Tobacco is Like Love 02:35
• Thomas Weelkes (1576 - 1623):
• 16 Come Sirrah Jack ho 02:28
• Anonymous:
• 17 The Birds' Dance 01:25
• 18 Song from the Masque of Flowers 03:31
• 19 Psalm 100 01:33
• 20 Psalm 107 03:01
• John Dowland:
• 21 Up Merry Mates 03:00
• Robben Ford (b. 1951):
• 22 Love's Constancy/Corydon's Resolution 01:48
• Thomas Campion (1567 - 1620):
• 23 Never Weather Beaten Sail 02:23
• Total Runtime 01:01:10

Info for They that in Ships to the Sea down go: Music for the Mayflower

Early Music group Passamezzo make their Resonus Classics debut with a collection of music and song brought together to celebrate the 400th anniversary of the sailing of the Mayflower.

The Mayflower left England in 1620, with passengers and crew all seeking a fresh start in the New World. Featuring works from the books that some of the passengers took with them, this album gives an insight into the range of music that might have been sung on board this famous ship from composers such as Richard Allison, John Dowland and Thomas Campion.

Passamezzo

Passamezzo
was founded by Tamsin Lewis in 2001, initially to explore the Jacobean Masque. The core membership of the ensemble has expanded to: Eleanor Cramer (soprano), Alison Kinder (viols and recorders), Tamsin Lewis (Renaissance violin, viols, voice), Richard Mackenzie and Robin Jeffrey (plucked strings), Richard De Winter and Michael Palmer (actors and baritones), and Charlotte Ewart (choreographer).

The ensemble specialise in English Elizabethan and Jacobean repertoire, the masque remaining an important part of their programming, and concerts have a distinct theatrical air created by costume, readings and presentation. The ensemble delights in all aspects of musical life, from the intimacy of the lute song, to the brash raucousness of the broadside ballad, from the sacred part song, to the profane insanity of bedlamite mad songs. The programmes are carefully researched with music frequently taken from manuscript sources, unearthing pieces that have lain hidden for centuries. It is this range of material and overall spectacle, combined with the informative and accessible manner of their presentation, that makes Passamezzo such an engaging group.

Passamezzo often work with dancers and actors. They have played in a great variety of venues including the British Museum; the Victoria and Albert Museum; Shakespeare's Globe Theatre; Hampton Court Palace and in theatres, concert halls, stately homes, churches, palaces and ruins throughout England.

Television and Radio credits include: Danny Dyer's Right Royal Family (BBC1); BBC Restoration; Howard Goodall's The Truth about Carols (BBC2); Elizabeth I's Secret Agents (BBC2); Big Brother (Channel 4); Henry VIII and his six wives, and Elizabeth I (Channel 5); Frost Fair; King Lear and Boxing Day, (Radio 4); Vic Reeves’ Rogues Gallery (Discovery); Early Music for the Holidays; Christmas Carols, Chant and Legend (Harmonia Early Music/PRX).

Passamezzo also work with with Moroccan Sufi musicians, Ensemble Mogador Soufie performing 17th Century English and Moroccan music in both countries as part of the Shore To Shore Project

A passamezzo was a popular sixteenth century tune and dance. It could be played and danced simply and enjoyed by anyone, but could also become an exhibition piece, with virtuosic and showy divisions played upon it. We chose the name Passamezzo for ourselves because we feel it reflects the character of our work: we provide a wide range of performances from the very simple to the very elaborate, and pride ourselves on creating a piece which suits your occasion perfectly.

Booklet for They that in Ships to the Sea down go: Music for the Mayflower