Ti Love David Walters

• 1 Ti Love 03:54
• 2 Lajan 04:55
• 3 Santi Ko'w 03:40
• 4 Voodoo Love 03:36
• 5 Kité Koulé (Album version) 04:56
• 6 Vini Jwen Mwen 04:18
• 7 Radio Bam Bam 03:02
• 8 Tchembé Ko'w 03:37
• 9 Mr Maraboo 04:40
• 10 Ti Siren 06:45
• 11 Bon Voyage 03:35
• Total Runtime 46:58

Info for Ti Love

In his own time, in his own tone and in his own company.

‘Win and lose without losing oneself’’ This line from French rapper Oxmo Puccino greatly accompanied David Walters while composing his fourth studio album. Over the eleven tracks on ‘Ti Love’, David took his time to find the right tone and in turn, tell his truth.

‘Ti Love’, is a French-Creole abbreviation for “petite love”, meaning ‘little love’, evoking that sweet fondness found in those small gestures and little acts of kindness.

Think of things like young kids' brotherly love or a stranger lending you a helping hand, while expecting nothing in return. It’s these motions that allow this album to feel full of real life, carried by beating drums that also pull at our heart strings.

Basing himself in a small village in Martinique, where David had not long since scattered the ashes of his late mother, the multi-instrumentalist decided to remain there and let the writing of Ti Love pour out from deep inside him. Taking influence from around the island, the energy from his makeshift studio set up in Fort de France, allowing a resilient yet grieving man to recount, let go and come to terms with his recent loss.

So embracing these new circumstances, on the rugged coastal Caribbean island of Martinique, David took up an artist’s residency in the island’s capital Fort de France, located near the town’s port is the ‘Manoir des Artistes’, a bustling recording studio space. A place where the walls shake as the latest sounds being created are blasted by locals and visitors alike. Most studio doors are wide open; as music here is a huge part of everyday life, feedback from encouraging neighbouring musicians is on hand and welcomed. A contrast to the isolation often assumed with working in more traditional music studios.

It was here in this stimulating environment that David recorded Ti Love’s initial demos.

With his first collaborator onboard, Neeweed, a 25-year-old producer and gospel expert who David met at the Martinique Jazz Festival.

Of the album’s initial versions of the record David recollects: ‘It took me three years to write it, then I rewrote it, reworked it. In the end I'm really glad I stepped back and listened to myself.’ I found a great ally in GUTS, who ended up being the artistic director of the record”

David surrounded himself with the right people who helped him express himself in the best possible way. He called on other friends and musical comrades; album opener and title track, ‘Ti Love’ features the incomparable Fatoumata Diawara (World Circuit Records / Africa Express) and further along additional production came in from; Izem, Art Of Tones, and GUTS himself, who all added just the right amount of ‘little love’ to this

project. Further helping hands came from Californian producer and DJ Captain Planet, who David was introduced to a few years ago. Closer to home, here in Europe, the German producer Bluestaeb appears on two tracks: the very catchy disco funk ‘Mr Maraboo’ and ‘Kite Koule’, the latter being the first single lifted from the album, where David invited Nigerian guitarist Keziah Jones.

Elsewhere on the album, fellow Heavenly Sweetness recording artist Blundetto contributed two tracks; the reggae ‘Voodoo Love’, which is David's tribute to Studio One, and the very sweet and resilient ‘Bon Voyage’, which closes the album... "It's gold, it doesn't need anything changing.” remarked David - ‘Bon Voyage’ is a goodbye to his mother, whose voice called him from the bottom of the sea one night while he was surfing during the full Moon.

Released almost 20 years after his debut album ‘AWA’ released on French imprint Ya Basta, home to Gotan Project and many others, David boasts a long list of radio supporters including; Gilles Peterson, Cerys Matthews and Don Letts at the BBC, while further field Cosmo Radio in Germany, and KCRW in Los Angeles.

On this new record, David has shown sincerity and vulnerability, while still honouring the infectious groove that he is known for the world over. Despite the upsets, a little love can indeed go a long way.

David Walters

David Walters
A grandson of West Indians from Saint-Kitts and Martinique, David Walters, cofounder of the Bordeaux collective known as Zimpala, now lives in Marseille. A former top athlete, this young singer-songwriter-producer has given birth to an astonishing repertoire colored by electronic beats and acoustic folk, all with a strong Afro-Caribbean influence.

David Walters has now been signed by the independent Paris-based ¡Ya Basta! Records label (Gotan Project, Boyz from Brazil). His current work is an eclectic harmony of solo guitar, percussion (including the glass harmonica), sampling, and more, bringing together a variety of influences (afrobeat, electronica, pop and hip-hop).

After having participated to the Asian tour of the Ya Basta Sound-System, he recently did the support acts of Lenny Kravitz, Morcheeba or Jamiroquai as a singer.

Walters was already well known as a DJ and has opened for David Bowie, Les Négresses Vertes, Dupain. He has worked as remixer for Dupain, Zuco 103 and for Gotan Project, and has also produced one of the songs Brazilian singer Cibelle's first album.

This album contains no booklet.