Rio Trevor Rabin

• 1 Big Mistakes 05:34
• 2 Push 06:48
• 3 Oklahoma 06:52
• 4 Paradise 07:03
• 5 Thandi 04:22
• 6 Goodbye 05:10
• 7 Tumbleweed 04:08
• 8 These Tears 05:18
• 9 Egoli 04:03
• 10 Toxic 05:45
• Total Runtime 55:03

Info for Rio

Vielleicht ist es Dir gar nicht bewusst, aber irgendwann, an einem beliebigen Tag, in einer beliebigen Woche oder in einem beliebigen Monat, hast Du die Musik von Trevor Rabin gehört. Vielleicht war es im Radio, als einer der größten Rockhits aller Zeiten, "Owner of a Lonely Heart" von Yes, gespielt wurde, oder auf einem seiner mehr als 100 Film- oder TV-Soundtracks, oder sogar als Titelmelodie für NBA-Basketball auf TNT. Jetzt kehrt er mit "Rio" zurück, seinem ersten Soloalbum mit Gesang seit "Can't Look Away" von 1989. Es ist ein Meisterwerk der Ideenfindung in Kombination mit unbändigem musikalischem Können, und Rabins Fähigkeiten als musikalischer Geschichtenerzähler sind allgegenwärtig. Es ist ein Album voller Überraschungen, großartiger Melodien, dramatischer Veränderungen und unglaublicher Musikalität.

Angesichts der Tatsache, dass sein letztes Soloalbum „Can’t Look Away“ im Jahr 1989 veröffentlicht wurde (das 2012 erschienene „Jacaranda“ war rein instrumental), hat Rabin uns mehr als drei Jahrzehnte auf einen Nachfolger warten lassen. Trevor gibt zu, dass er von allen Seiten, auch von seiner eigenen Familie, unter Druck gesetzt wurde, den Prozess zu beschleunigen. Die Verzögerung ist jedoch verzeihlich. Seit seinem Ausstieg bei Yes nach dem „Talk“-Album 1994 und vor allem vor seiner Tournee mit ARW im Jahr 2016 ist der Gitarrist in die zeitraubende Welt der Filmmusik eingetreten. Und zwar nicht nur irgendwelche Filme. Trevors Name taucht als Komponist für Blockbuster wie Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road und Gone In 60 Seconds und beide National Treasure-Filme auf, neben vielen anderen. „In den letzten zehn Jahren hatte ich immer wieder Ideen und Konzepte, die ich aufgrund meines vollen Terminkalenders nicht umsetzen konnte“, erklärt er und fügt hinzu: „Um ehrlich zu sein, vergingen diese Jahre wie im Flug. Ich wusste, dass es jetzt an der Zeit war, und als ich meinen Schwung gefunden hatte, arbeitete ich rund um die Uhr an dem Album.“

Der Prozess erwies sich als Liebesdienst, und wie bei seinem ersten und zweiten Soloalbum, ‚Trevor Rabin‘ und ‚Face To Face‘ (von 1977 bzw. ’79), bediente Rabin fast alle Instrumente selbst.

Stilistisch lässt sich ‚Rio‘ nur schwer einordnen. Neben gitarrengetriebenem Rock-meets-Pop ist ‚Goodbye‘ Country & Western mit einem kantigen Drive, während ‚Tumbleweed‘ mit einem Ausbruch von Harmonien beginnt. Kein Wunder, dass der Arbeitstitel ‚The Demographic Nightmare‘ lautete.

„Ich wollte in viele verschiedene Bereiche vordringen“, erklärt Rabin. „Natürlich gibt es ‚Prog-Sachen‘, aber insgesamt gibt es viele verschiedene Stile.

Wie bereits erwähnt, spielt Trevor den Großteil der Instrumente auf dem Album. Bei einer Reihe von Stücken ist jedoch Lou Molino am Schlagzeug zu hören, während Trevor auch einige Drums und Percussion beisteuert. Vinnie Colaiuta spielt Schlagzeug auf ‚Push‘, und Rabins Sohn Ryan Rabin half bei einigen der wichtigsten perkussiven Arrangements aus. Nebenbei hat Trevor auch noch ein paar Freunde, Dante Marchi und Liz Constantine, als Backgroundsängerinnen bei zwei Songs engagiert.

Trevor Rabin

Trevor Rabin
as earned a worldwide reputation for his innovative work as a musician and composer. Born in 1954 in Johannesburg, he is the son of a prominent lawyer Godfrey Rabin, who was also a highly respected violinist. Godfrey performed as first chair for the Johannesburg Symphony Orchestra for over a decade. His mother was a well known actress and an accomplished classical pianist. Trevor showed a natural gift for music, beginning classical piano lessons from the age of six and, after hearing Hank B. Marvin from the Shadows, started playing guitar at age twelve. One year later he joined his brother Derek's band and started playing his first local gigs soon after. This was to be a stepping stone to forming his first band with some friends, Conglomeration. Within a year of their inception Conglomeration earned a reputation as one of the best bands in Johannesburg. Before long they were headlining pop festivals with bands twice their age. Trevor began doing session work at 17 and established himself as the most sought after session guitarist in South Africa. He developed his production skills while working with all the top producers and arrangers. Notably Trevor worked closely with Mutt Lange, who would book him on all his sessions. As well as being a session musician, Trevor joined a band called Freedoms Children and played to sellout shows all over South Africa. One of the songs Trevor wrote with the band was called "Wake Up! State of Fear" and was a controversial anti-Apartheid song, which did not sit well with the establishment. After a successful year with Freedoms Children, Trevor was drafted into the South African Army. After two months of basic training, Trevor transferred from an Infantry Division to the Entertainment Unit. Soon after completing his time in the army, Trevor formed the band Rabbitt with former Conglomeration bandmates, Neil Cloud and Ronnie Robot.

Rabbitt became the most successful rock act ever to emerge from South Africa. Trevor and his band mates became teen idol pinups and virtual recluses, having to hide from overzealous fans. In 1976, Rabbitt (now a full time touring band) released its first album, Boys Will Be Boys, which went gold faster than any other South African record in history. For this album, Rabbitt won a Sarie award, the South African equivalent of a Grammy award, for Best Contemporary Pop Music. Rabbitt dominated the South African charts for two years. To this day Rabbitt is considered to be the biggest musical phenomenon ever to come out of South Africa.

Struggling with the pressures of Rabbitt and the desire to work in London, led Trevor to move to London in 1978. Here he produced such acts as Manfred Mann's Earth Band and released his first solo album, Trevor Rabin. Two more solo albums ensued (1979's Face to Face and 1981's Wolf). Accepting an invitation from industry heavyweight John Kalodner, he moved to Los Angeles to play in an early version of what became Asia. Trevor bowed out of that situation to record demos for a planned solo album, but his plans changed when his demos came to the attention of former Yes bass player Chris Squire. Squire was looking for a guitarist for a new band he was putting together, and Trevor's demos became the basis for the new group Cinema. As the album neared completion, Jon Anderson joined the band and a new incarnation of Yes was born. The Yes "comeback" album 90125 became by far the biggest-selling of the group's career, launching the group's only #1 single, Rabin's "Owner Of A Lonely Heart" and only Grammy, "Cinema".

In 1989 Trevor released his fourth solo album, "Can' t Look Away". After a decade of success, including four albums and four worldwide tours, Trevor parted ways with Yes. Immediately he was offered a film score, the outcome of which proved prolific. Since then he has composed the soundtracks for mega-budget Hollywood movies, enhancing the performances of stars like Will Smith, Nicholas Cage, Denzel Washington and Samuel L Jackson. Trevor has scored ten films for Jerry Bruckheimer and with over $2.4 billion in ticket sales has attested to the success of their partnership.

His theme music backs the American baseball and basketball games and his Remember The Titans score reverberates behind the Olympic Games telecasts.

His collaborations include working with Seal, Michael Jackson, Manfred Mann, Tina Turner, Bob Dylan and Paul Rodgers to name a few.

He has received numerous awards including eleven BMI Film and TV Awards, a Grammy, a Lifetime Achievement Award (Los Angeles Music Awards), a Career Achievement Award (Temecula International Film Festival), and Gold Medal for Excellence in Film Music Award (Park City Film Festival).

The awards reflect the vision that Trevor had from his early days in South Africa. Since then he has also been involved in socio-political commentary and human rights issues. His song "Wake Up! State of Fear" was one of the first anti-Apartheid songs. "Working For The People" is a power salute to the Soweto school riots. Margaret 'Lady Afrika' Singana sings with Trevor on "Tribal Fence" with the lyric eerily forecasting the year that Nelson Mandela would walk out of jail and end apartheid rule. "Can't Look Away" was inspired by the anguish in South Africa prior to Mandela coming to power.

In 1997 Trevor met Mandela when he became involved in the Princes Trust Concert. The event was held in Johannesburg, which helped raise funds for the unemployed youth of South Africa. He also played at the Princes Trust Concert in 2004 at Wembley Arena with Yes.

Trevor has since become one of the most sought-after film composers in the business, with 34 films to date. He has created music that crosses barriers and genres that have made him one of the premier composers of contemporary music. As a guitarist, keyboardist, singer, songwriter, producer or recording engineer Trevor has established himself as a leader in the contemporary music field.

This album contains no booklet.