Duphly: Pièces de clavecin Yves-G. Préfontaine

• Jacques Duphly (1715 - 1789): Pièces En Ré Mineur Et Majeur
• 1 No. 1, Allemande 06:28
• 2 No. 2, Courante 03:43
• 3 No. 3, La Vanlo 05:25
• 4 No. 4, Rondeau 04:08
• 5 No. 7, La Damanzy 05:47
• 6 No. 8, La Cazamajor 04:45
• Pièces En Sol Mineur Et Majeur
• 7 No. 12, La de Redemond 04:56
• 8 No. 13, La de Caze 04:10
• 9 No. 14, La de Brissac 04:37
• 10 No. 6, La de Buq 06:13
• 11 No. 13, La de la Tour 03:24
• Pièces En Do Mineur Et Majeur
• 12 No. 9, Allemande 06:34
• 13 No. 10, La Boucon 04:23
• 14 No. 13, Rondeau 05:43
• 15 No. 14, La Millettina 03:15
• 16 No. 15, Légèrement 04:22
• Pièces En Ré Majeur Et Mineur
• 17 No. 1, La Victoire 04:16
• 18 No. 3, La Félix 04:28
• 19 No. 4, La de Vatre 05:19
• Pièces En La Majeur Et Mineur
• 20 No. 10, Rondeau 03:18
• 21 No. 5, La Lanza 12:49
• 22 No. 6, Les Colombes 05:06
• Pièces En Mi Majeur Et Mineur
• 23 No. 9, La d’Héricourt 04:37
• 24 No. 9, Menuets 03:56
• 25 No. 14, La de Guyon 04:35
• Pièces En Fa Mineur Et Majeur
• 26 No. 4, La Forqueray 06:24
• 27 No. 5, Chaconne 09:31
• 28 No. 6, Médée 05:47
• Total Runtime 02:27:59

Info for Duphly: Pièces de clavecin

2015 marks the 300th anniversary of the birth of French composer Jacques Duphly. Duphly’s life bookended the reigns of Louis XV and Louis XVI: He was born in Rouen on January 12, 1715, the year the Sun King Louis XIV died, and he himself died in Paris, the day after the storming of the Bastille, on July 15, 1789. Duphly’s works comprise four volumes of harpsichord pieces recorded here by Canadian harpsichordist Yves-G. Préfontaine. This release includes a large selection of Duphly’s works on a double album box-set.

Duphly followed in the footsteps of Rameau, but his works are more galant and Italian-influenced in style, as well as being more restrained harmonically. Like his predecessor, Duphly offers a wide variety of moods. “His pieces, generally, are gentle and likeable, like their composer,” wrote fellow organist and composer Daquin. They include his “heartfelt” Colombes (Doves), and Duphly’s vigorous and spirited version of “an allemande, which is entitled La Victoire, and is sure to please connoisseurs.”

Yves-G. Préfontaine is titular organist at the Grand Seminary and at le Sanctuaire Marie-Reine-des-Coeurs in Montreal. A highlight of his career are 12 recitals where he played the complete keyboard works of François Couperin. He has also performed the entire works of Jean-Philippe Rameau, Jean-François d’Anglebert and the main works by Johann Jacob Froberger. For the past 18 years, he has been the artistic director of Le Festival des Couleurs de l’Orgue français, which takes place each fall at le Grand Séminaire de Montréal.

Yves-G. Préfontaine, harpsichord

Yves-G. Préfontaine
undertook his studies in music at the Conservatory of Music in Montreal, studying organ and harpsichord with Bernard and Mireille Lagacé, followed by Scott Ross. He was awarded first prizes in each of these disciplines and went to continue harpsichord study with Gustav Leonhardt in Amsterdam. He took first place in the John Robb Competition of Montreal as well as in the in the national competition of the Royal Canadian College of Organists.

As a soloist and chamber musician, he has played for most organisations devoted to organ recitals and has been a guest at festivals in Québec, New Brunswick, Ontario, Alberta, United States, Germany, Belgium and France.

After some time working as researcher and host for the classical music broadcasts of Radio-Canada and Radio-Cité, he founded the music department at the CEGEP Marie-Victorin, which he directed for ten years. He is titular organist at the Grand Seminary and at le Sanctuaire Marie-Reine-des-Coeurs in Montreal.

Among his most important realization one should mention 12 recitals where he played the whole keyboard works of François Couperin. He performed as well the entire works of Jean-Philippe Rameau, Jean-François d’Anglebert and the main works by Johann Jacob Froberger. Since 18 years, he is the artistic director of Le Festival des Couleurs de l’Orgue français, which takes place each fall at le Grand Séminaire de Montréal.

His recordings include La Messe by Gaspard Corrette, The 12 Hymns by Jehan Titelouze, the Complete harpsichord works by Marpurg and Two Centuries of French organ verses by various composers, all on ATMA label.

Over the last years, he has been on the board of Laudem, Le Clavier d’Autrefois, Les Amis de l’Orgue de Montréal. Together with a French collegue, he leads “Orgues et Cimes”, a Summer Academy, in Switzerland.

Booklet for Duphly: Pièces de clavecin