Older (and Wiser) Lizzy McAlpine

• 1 The Elevator 01:40
• 2 Come Down Soon 03:44
• 3 Like It Tends To Do 03:25
• 4 Movie Star 01:32
• 5 All Falls Down 03:01
• 6 Staying 02:31
• 7 I Guess 03:44
• 8 Drunk, Running 04:05
• 9 Broken Glass 03:40
• 10 You Forced Me To 03:01
• 11 Older 03:21
• 12 Better Than This 03:34
• 13 March 02:41
• 14 Vortex 05:43
• 15 Method Acting (Demo) 03:01
• 16 Pushing It Down and Praying 03:54
• 17 Soccer Practice 03:01
• 18 Force of Nature 03:01
• 19 Spring Into Summer 03:01
• Total Runtime 01:01:40

Info for Older (and Wiser)

Lizzy McAlpine releases "Older (and Wiser)," a deluxe edition of her successful album, "Older".

Older is the highly anticipated new album from acclaimed singer/songwriter Lizzy McAlpine. The album was recorded and produced in Los Angeles by Lizzy and Mason Stoops, with additional production by Ryan Lerman, Jeremy Most, and Tony Berg.

Older finds the 24-year-old rising star stepping into newfound confidence, discovering her voice and defining her artistry with profound simplicity. It’s a notable departure for Lizzy, who wrote the LP’s deeply personal 14 tracks during a three-year period of transition into adulthood.

Older is the follow up to Lizzy’s widely successful second studio album, five seconds flat which was released to critical acclaim in the spring of 2022. Lizzy McAlpine gained recognition when she began to share original songs and covers on Soundcloud and YouTube. In 2020, Lizzy released her debut album, Give Me A Minute, solidifying herself as a rising force and amassing thousands of devoted fans.

“Lizzy McAlpine’s voice is just so deeply affecting to me…it burrows into you.” – NPR

“…her third album, Older, [is] an eerie, sparse, and gorgeous folk-rock…a poignant meditation on self-loathing and the time we lose to pain.” – The New Yorker

“Older is a rich world for the listener to live within…Tucked within McAlpine’s worried words is exactly what listeners look to her for: A still-confident tone, a pretty melody and reflections that only assure listeners in their own troubles.” – AP

“A highly confessional record built on wandering folk melodies and soft layered vocals.” – Los Angeles Times

Lizzy McAlpine

Lizzy McAlpine
had a clear vision for five seconds flat, her second album: she wrote a 14-song story arc about heartbreak, and then made a short film to accompany it.

It’s a big step in a new direction after her 2020 debut, Give Me A Minute. That album had a folk-pop vibe that drew praise on social media from the likes of FINNEAS, Phoebe Bridgers, Shawn Mendes and Camila Cabello, while propelling McAlpine past 100 million streams on DSPs. This time, the recent Los Angeles transplant was eager to show another side of her abundant talent.

“I want to give my fans something different with each record, because I’m different each record,” McAlpine says. “I want to always be growing and moving forward as an artist.”

By any measure, five seconds flat is a bigger album. Indie rock was McAlpine’s starting point, but these 14 new songs aren’t so easy to pigeonhole: along with guitar, bass, drums and piano, there are assertive electronic elements, horns and strings. The musical arrangements are bold and immersive: “erase me” starts with sharp acoustic guitar and quiet vocals from McAlpine, then adds layers of drums, percussion and backing vocals before an insistent synth loop comes sweeping through in the second half of the song. First single “doomsday” has a chamber-pop feel, with a rich blend of programmed strings, brass and percussion that swirls around McAlpine’s assured voice.

After writing most of Give Me A Minute herself and working with producer and multi-instrumentalist Philip Etherington, her Berklee College of Music classmate, McAlpine opened herself to greater collaboration on five seconds flat. Etherington returned to produce, joined on 10 tracks by Ehren Ebbage. There are also four featured vocalists, including the Grammy winners FINNEAS on “hate to be lame” and Jacob Collier on “erase me.”

“They have their own sounds and then combining them with what I’m doing on this album just fits so perfectly,” McAlpine says.

Music isn’t the only area where McAlpine is trying something new: she tapped into her love of screenwriting and acting with the short film that goes with five seconds flat. The idea for a film came while McAlpine was writing songs for the new album, which traces heartbreak in a cause-and-effect kind of way. As a songwriter with a penchant for evocative lyrics full of details, McAlpine had such a vivid picture in her mind of how the songs would translate to film that she came up with a full concept that she illustrated with a digital slide show that served as storyboards.

“It’s basically about seeing patterns in relationships: getting your heart broken and then, because of that, breaking someone else’s heart,” she says.

Written by McAlpine and directed by Gus Black (Phoebe Bridgers, Sheryl Crow), the film consists of music videos for five of the songs on the album, connected through non-music scenes that let McAlpine flex her acting chops — a fulfilling pursuit for someone who considered studying acting in college before choosing Berklee and music.

“I got to put all of my passions into one project,” she says. “I haven’t really done anything like this before, and I want to make acting a large part of my career in the future. So, this feels like a jumping-off point.”

Not only that, five seconds flat feels like an artist stepping into her own, building on her past while looking toward the future. “We’re taking everything to the next level with this album,” McAlpine says. “I’m moving in the right direction, and it’s really exciting.”

This album contains no booklet.