Cannibal Bury Tomorrow

• 1 Choke 03:47
• 2 Cannibal 04:15
• 3 The Grey (VIXI) 03:58
• 4 Imposter 03:27
• 5 Better Below 03:12
• 6 The Agonist 04:02
• 7 Quake 04:25
• 8 Gods & Machines 04:05
• 9 Voice & Truth 03:06
• 10 Cold Sleep 03:39
• 11 Dark, Infinite 04:01
• Total Runtime 41:57

Info for Cannibal

Bury Tomorrow‘s 2018 album Black Flame catapulted them into metal’s upper echelons, taking them on a tour which culminated with a huge show at London’s iconic Roundhouse. But with follow up Cannibal, the band have taken another leap forward.

Already, the Southampton quintet are responsible for some of metalcore’s most rousing anthems, and Cannibal is stacked with more glorious vocal hooks, razor-sharp riffs and sublime melodies that will solidify their seat at UK metal’s top table.

To record it, the band reunited with SikTh guitarist and Black Flame producer Dan Weller (Enter Shikari, Young Guns), while mixing and mastering was completed by Adam “Nolly” Getgood and Ermin Hamidovic, the dream team behind Architects’ Holy Hell. The result is Bury Tomorrow’s most technical, anthemic album yet. And while vocalist and lyricist Dani Winter Bates has long been one of metal’s loudest advocates for the importance of discussing mental health, this time he’s delved explicitly into his own experiences, writing his most brutally personal lyrics to date.

“This album is for me as well as for the fans,” says vocalist and lyricist Dani Winter Bates. “It was a cathartic process to address some of the darkest moments I’ve had in my life. For some people it’ll be a hard listen. But I thought I have to do this, if I’m going to go in, I’m going to go in. I’m not doing something half arsed. There is nothing lyrically I would change on this entire album.”

Dan began writing the lyrics for Cannibal, and while he has penned tracks about his mental health before, this time things were different. Dropping all metaphors and opaque sentiments, he’s addressed things head on, hoping the album’s unapologetically frank approach will help people who are struggling to understand they aren’t alone.

“I wanted to live by my words,” he says. “I talk to people about normalising mental health so how can I write an album where I’m not talking about mental health? The normalisation of mental health is what saves lives. I want people to see the light in the dark. If they delve into that they can find solace in the discussion, the normalisation, the positive action by discussing this.”

Lyrically, there’s an apocalyptic feel to Cannibal. While tracks like Quake and Better Below go deep into Dani’s lowest moments, the album also explores the impact of social media on Gods And Machines as well as what he refers to as “society’s oppressive, horrific nature”.

“The term Cannibal refers to being eaten away by your own thoughts but also eaten away by other humans,” he explains. “We’re not kind to ourselves, let alone kind to each other.”

Work on Cannibal started almost immediately after the band released the deluxe version of Black Flame in June 2019 and was completed partly on the road. Soon after, the band headed to the studio, recording drums and rhythm guitars at Middle Farm studios, in South Devon, with the remainder of the album recorded at Vale studios in Worcestershire. Putting into practice the lessons they had learnt when making Black Flame, the band tore into, rewrote and scrapped any tracks that weren’t up to scratch.

While the process was far from easy and pushed the band musically and emotionally to their limit, there’s no doubt that this is their best and bravest album to date. Now 14 years into their career, Cannibal will be the album that pushes Bury Tomorrow to even greater heights. 2020 will be their year.

“I want it to grow our fan base and capitalise what we did with Black Flame,” says Dani. “Black Flame connected with a lot of people. I want Cannibal to take us to a new part of our career. It’s a great starting point for a discussion I’m excited for people to hear it. I just want people to hear it.”

Dani Winter-Bates, vocals
Jason Cameron, clean vocals, rhythm guitar
Kristan Dawson, lead guitar, backing vocals
Dav Winter-Bates, bass
Adam Jackson, drums

Bury Tomorrow
In einer Zeit, in der moderner Metal sklavisch beeinflusst wird von dem sich ständig wandelnden Mode-Karussell, sind die Bands, die Erfolg durch ihre eigenen Ideen finden, rar. Mit ihrer seit einem Jahrzehnt andauernden Karriere sind Southampton / Portsmouth-Quintett Bury Tomorrow eine solche Band.

„Für mich fühlt sich Earthbound an wie die Destillation von all dem, wovon unsere Band je handeln sollte“, sagt Frontmann Dani Winter-Bates. „Unsere ersten drei Platten sind auf eine Art Teil ihrer eigenen Trilogie -- aber dieses neue Album, das ist Bury Tomorrow, und wir alle sehen dies als unsere Chance, den Menschen zu zeigen, zu was wir fähig sind.“

Earthbound zeigt Bury Tomorrow auf prägnanterer Form als jemals zuvor: Zehn Tracks, die einschlagen, durch den Raum brettern, und wieder verschwinden mit wenig Zeit für Atempausen.

Mit bemerkbaren Einflüssen von Heavy Metallern Unearth und Darkest Hour , hin zur apoplektische Rage von Terror und Madball, ist dies eine Band, die das Pit mit Leichtigkeit zum Rotieren bringt.

This album contains no booklet.