Pettersson: Symphony No. 12 "The Dead in the Square" Swedish Radio Choir, Eric Ericson Chamber Choir, Norrköping Symphony Orchestra & Christian Lindberg

• Allan Pettersson (1911 - 1980): Symphony No. 12 "The Dead in the Square":
• 1 Pettersson: Symphony No. 12 "The Dead in the Square": The Dead in the Square 10:53
• 2 Pettersson: Symphony No. 12 "The Dead in the Square": The Massacre 08:23
• 3 Pettersson: Symphony No. 12 "The Dead in the Square": The Men of Nitrate 05:19
• 4 Pettersson: Symphony No. 12 "The Dead in the Square": Death 04:44
• 5 Pettersson: Symphony No. 12 "The Dead in the Square": How the Flags Were Born 01:21
• 6 Pettersson: Symphony No. 12 "The Dead in the Square": I Call on Them 05:46
• 7 Pettersson: Symphony No. 12 "The Dead in the Square": The Enemies 06:50
• 8 Pettersson: Symphony No. 12 "The Dead in the Square": Here They Are 03:16
• 9 Pettersson: Symphony No. 12 "The Dead in the Square": Always 09:04
• Total Runtime 55:36

Info for Pettersson: Symphony No. 12 "The Dead in the Square"

The Twelfth Symphony forms an exception in Allan Pettersson’s output. When he agreed to compose a work for the 500th anniversary of Uppsala University, it was one of the few commissions that he ever accepted. Having written purely orchestral scores for the past 30 years, he decided to incorporate a choir and a text. Pablo Neruda had received the Nobel Prize in 1971, and acknowledging the poet’s ‘deeply felt compassion for the outcasts of society’, Pettersson selected nine poems from the huge collection Canto general for his new work. As Pettersson was composing the symphony, Neruda died during the tumultuous aftermath of the military coup in Chile on 11 September 1973. The poems deal with an incident in Santiago de Chile in 1946 when six demonstrators were killed by the police during a workers’ manifestation. Pettersson, who came from a working-class background, commented on the subject matter: ‘My heart was, and is, with the poor of Chile, so like the worker in the ‘third world’ in which I grew up.’ Typically Pettersson, the symphony is in one movement. The choral parts are highly demanding – the choir sings almost without interruption, and often very forcefully and in difficult registers. The Swedish Radio Choir and Eric Ericson Chamber Choir, two of Sweden’s finest choirs, have combined their forces for this recording and join the Norrköping Symphony Orchestra and Christian Lindberg on the latest installment in the team’s acclaimed Pettersson cycle.

Norrkoping Symphony Orchestra
Swedish Radio Choir
Eric Ericson Chamber Choir
Christian Lindberg, conductor

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Booklet for Pettersson: Symphony No. 12 "The Dead in the Square"