Bill Haley's Scrapbook Bill Haley & The Comets

• 1 Introduction 01:53
• 2 Rock This Joint Tonight 03:08
• 3 Rock-A-Beatin' Boogie 02:30
• 4 Skinny Minnie 03:04
• 5 Razzle Dazzle 02:13
• 6 Rudy's Rock 05:00
• 7 See You Later Alligator 02:28
• 8 Saint's Rock & Roll 03:58
• 9 Framed 03:03
• 10 Shake, Rattle & Roll 02:56
• 11 Rip It Up 02:29
• 12 Crazy Man Crazy 03:06
• 13 Rock Around the Clock 03:07
• Total Runtime 38:55

Info for Bill Haley's Scrapbook

„The other live album from Haley's December 16, 1969 appearance at the Bitter End is actually better in some respects than the 1950's Rock 'n Roll Revival. Much of this set was drawn from Haley's second and third shows that day, on which he and the band were obviously feeling even more confident after a very successful first show, for what was to be his first official live album in eight years. The group lacks the cutting edge of a Chuck Berry set of the same period, in which audiences heard uncensored renditions of his raunchier lyrics -- Haley and company keep their lyrics and the between-song patter clean. On the other hand, they play the hell out of a number like 'Whole Lotta Shakin',' with Nick Masters turning in a bracing performance on lead guitar, bending a few notes and living up to the role of guitar hero.“ (Bruce Eder, AMG)

Bill Haley
As frontman for the iconic group Bill Haley & His Comets, Haley became a bona fide music superstar in the 1950s after releasing chart-topping hits including “(We’re Gonna) Rock Around the Clock,” “Shake, Rattle and Roll,” “See You Later, Alligator,” and many others. Garnering seven Top 20 singles in the USA alone, Haley’s appeal was universal; he amassed legions of fans and sold millions of records in markets around the world.

“We premiered it,” Haley told Rolling Stone in 1967. “We put country & western together with rhythm & blues, and that was rock. The first three years were ours, all ours, till [Elvis] Presley came along.”

Born William John Clifton Haley on July 6, 1925 in Highland Park, Michigan, Bill’s fascination with music came at a young age. His father, William Albert Haley played the mandolin and banjo, and his mother, Maude Green was a classically trained pianist and piano teacher.

One of Haley’s first musical performances took place in 1938, when he played at a Bethel Junior baseball team event at just 13 years old, and he spent most of his teen years playing guitar and yodeling in various bands. In 1945 at the age of 20, he joined his first professional band, The Downhomers.

With music in his blood, Haley also served as a disc jockey where his unencumbered ability to play records from seemingly disparate genres would influence the musical stylings of his own band, Bill Haley and The Four Aces of Western Swing. The group changed their name to Bill Haley and The Saddlemen in 1950 and signed with Holiday Records a year later, releasing a number of singles that further showcased Haley’s country, swing, and rhythm & blues influences, including “Rocket 88.”

In 1952, the band became Bill Haley & His Comets and signed with Essex Records, which released Haley’s first Top 20 hit, “Crazy Man, Crazy,” along with “Rock the Joint.” In 1954, Haley and the group left Essex to sign with Decca Records, and with the success of each new release and far in advance of future contemporaries, the band was unknowingly pioneering a new genre of popular music that many years later would finally be given a name…rock ‘n’ roll.

The spectacular breakout of Bill Haley & His Comets began with the release of “Shake, Rattle and Roll,” which reached #7 on the Billboard singles chart, and was solidified by the #1 smash hit, “(We’re Gonna) Rock Around the Clock,” a song that was released as a B side in 1954. Despite a lack of commercial success upon its initial release, “(We’re Gonna) Rock Around the Clock” would go on to reach critical mass a year later after being featured in the 1955 film Blackboard Jungle, a movie about unruly students and teenage rebellion. It would be featured again shortly thereafter in the aptly titled film Rock Around The Clock, in which Haley would co-star, before making a return in the 1970’s as the opening theme for the television series Happy Days and later as part of the soundtrack for the classic film American Graffiti.

With sales of more than 25 million copies worldwide, “(We’re Gonna) Rock Around The Clock” is one of the best-selling records in history and Rolling Stone has named the track #159 on their list of The 500 Greatest Songs of All Time. But Haley would prove to be more than just a one-hit wonder, releasing a number of commercially successful followup hits including “See You Later, Alligator,” “R.O.C.K.,” “The Saints Rock ‘n’ Roll,” “Rip It Up,” “Rudy’s Rock,” and “Skinny Minnie.” Bill Haley & His Comets made four appearances on American Bandstand, and they toured extensively across Europe, Australia, Latin America and more.

Haley continued to make appearances and perform throughout the 1960s and 70s, including a Royal Command Performance in the presence of Queen Elizabeth II of England, a country where he continues to enjoy a particularly concentrated celebrity status and endures as rock ‘n’ roll royalty. While the full value of his contributions to popular music may be somewhat underappreciated, Haley’s legacy is indisputable. Dubbed “The Father of Rock ‘n’ Roll,” Haley maintains devoted fans around the globe who celebrate his career and music catalog.

With his unmistakable vocal styling and ‘kiss curl’ hairstyle, Bill Haley has paved the way for generations of stars across genres. Formal recognition of his impact on music history arrived posthumously in 1987 when he was inducted into the Rock & Roll Hall of Fame, and again in 2018 when “(We’re Gonna) Rock Around the Clock” was inducted into the National Recording Registry, an archive maintained by the Library of Congress to preserve culturally significant recordings.

Booklet for Bill Haley's Scrapbook