Barton & Wright: Orchestral Works Richard Watkins, Royal Scottish National Orchestra & John Andrews

• Nicholas Barton (b. 1979): Accord:
• 1 Barton: Accord 16:24
• Christopher Wright (b. 1947): Horn Concerto (After the Silence):
• 2 Wright: Horn Concerto (After the Silence): I. Austere. Allegro deciso con bravura 06:24
• 3 Wright: Horn Concerto (After the Silence): II. Lyric. Adante sostenuto 05:56
• 4 Wright: Horn Concerto (After the Silence): III. Jazzy. Presto molto 07:39
• Symphony (2015):
• 5 Wright: Symphony (2015): I Andante 14:36
• 6 Wright: Symphony (2015): II. Molto presto 07:22
• 7 Wright: Symphony (2015): III. Sempre lento e sostenuto 12:34
• 8 Wright: Symphony (2015): IV. Allegro moderato e deciso 10:12
• Total Runtime 01:21:07

Info for Barton & Wright: Orchestral Works

Dieses Album vereint die Musik von zwei befreundeten englischen Komponisten, die beide in East Anglia geboren wurden: Nicholas Barton, 1950 in Norfolk, und Christopher Wright, 1954 in Suffolk. Darüber hinaus teilen sie eine ähnliche musikalische Sprache: weitgehend tonal, wenn auch locker, rhythmisch wach, transparent, aber dramatisch komponiert und mit einem natürlichen Gespür für symphonische Argumente und Wachstum sowie einem starken Sinn für Skalen.

Richard Watkins, Horn (Tracks 2–4)
Royal Scottish National Orchestra
John Andrews, Dirigent

Richard Watkins
was the Philharmonia Orchestra’s principal horn for 12 years, and is currently a member of the Nash Ensemble and a founding member of London Winds. He has appeared at many of the world’s most prestigious venues in the U.K., Europe, and the U.S., and has worked with conductors including Carlo Maria Giulini, Wolfgang Sawallisch, Esa-Pekka Salonen, Leonard Slatkin, Giuseppe Sinopoli, Gennady Rozhdestvensky, Vasily Petrenko, Andrew Davis, and Mark Elder.

Mr. Watkins has a long association with Aldeburgh Music, first performing Britten’s Serenade for Tenor, Horn, and Strings with Peter Pears in 1983. Since then he appears regularly as soloist and recitalist, performing concertos by Colin Matthews and Oliver Knussen, and Britten’s works for solo horn, the Serenade, and Canticles. Mr. Watkins coaches and gives master classes at the Britten-Pears School, recorded Britten’s Serenade with Allan Clayton and Aldeburgh Strings, and directed the inaugural Britten–Pears Brass Week.

In recital, he performs with singers including John Mark Ainsley, Ian Bostridge, and Mark Padmore, and with pianists Barry Douglas, Julius Drake, Paul Lewis, Roger Vignoles, and Ian Brown.

Mr. Watkins has premiered concertos by Maxwell-Davies, Nigel Osborne, Magnus Lindberg, Dominic Muldowney, Nicola LeFanu, and Colin and David Matthews. Recent premieres include Colin Matthews’s Horn Concerto and trio; horn quintets by James MacMillan, David Matthews, and Mark-Anthony Turnage; and horn trios by Huw Watkins, Alexander Goehr, and Gerald Barry.

He has recorded the Mozart, Arnold, Glière, Smyth, and Matthews horn concertos; Mozart’s Sinfonia concertante; and chamber works by Schumann, Schubert, and Poulenc. Recent releases include the Britten Canticles with Mark Padmore (Wigmore Live), Alexander Goehr’s Horn Trio (NMC), Edward Gregson’s Horn Concerto with the BBC Philharmonic (Chandos), and Sea-Eagle, featuring works by British composers composed for Mr. Watkins (NMC).

Richard Watkins holds the Dennis Brain Chair of Horn Playing at the Royal Academy of Music, where he is also a Fellow.

John Andrews
was born in Nairobi in 1976 and brought up in Manchester. He came to orchestral music by a roundabout route via the intensely competitive Brass Band tradition, having been introduced to the tuba through his Local Authority’s peripatetic music service. He went on to study at Cambridge, graduating with a PhD in 2008. Passionate about keeping music available to the widest possible audience, John teaches on the Cambridge Music Hubs programme, and has lectured at the Elgar School of Music and the Blackheath Conservatoire. His gift for combining empathy and feel for both music and musicians with an ability to directly and powerfully communicate his ideas, together with his passion for locating music in its social and historical context, brings dynamism and warmth to his interpretations of both rare and classic repertoire.

The NSO is admired for both its versatility, its ability to communicate and to connect with audiences with virtuosity, commitment and passion. It was founded in the 1940’s and immediately became a significant recording orchestra. From the 1980’s the reputation and standing of the orchestra surged forwards, successfully performing and recording for audiences in a dynamic range of genres: Classical, Film and TV scores, West End and Broadways Musicals, accompanying celebrated international singers, all of which it continues to do to this day.

Justin Pearson, General Manager and Artistic Director of the NSO, said: ‘John Andrews is a conductor who is clearly going to enhance his growing reputation for versatility, musicality and energy. Musicians of the National Symphony Orchestra have immediately responded to his vision and have singled him out as a major charismatic talent. NSO look forward to working with John on range of innovative projects over coming years.’

In describing John, Matthew Scrivener, leader of NSO and English National Ballet Philharmonic added: ‘John Andrews is an excellent musician with integrity and clear direction and with whom it is a pleasure to work. He will be a great asset to the NSO and a fine complement to our Music Director, Anthony Inglis.’

Speaking about his new position, John Andrews said: ‘I am absolutely thrilled to be taking up this post with such a wonderful group of talented and versatile musicians. They are a delight to work with and I am looking forward to a rich and rewarding mixture of projects over the seasons to come.’

As Principal Guest Conductor, John will conduct both recording sessions and live concerts across a wide range of repertoire and styles.

Booklet for Barton & Wright: Orchestral Works