John Pickard: The Gardener of Aleppo & Other Chamber Works Nash Ensemble & Martyn Brabbins

• John Pickard (b. 1963):
• 1 The Gardener of Aleppo 11:08
• 2 Daughters of Zion 08:06
• 3 Snowbound 10:16
• Serenata Concertata:
• 4 Serenata Concertata: I. Cadenza I 03:20
• 5 Serenata Concertata: II. Aria I 04:30
• 6 Serenata Concertata: III. Scherzo - Notturno 04:33
• 7 Serenata Concertata: IV. Cadenza II 02:13
• 8 Serenata Concertata: V. Aria II 05:59
• 3 Chicken Studies:
• 9 3 Chicken Studies: No. 1, Laying 01:46
• 10 3 Chicken Studies: No. 2, Feeding 01:30
• 11 3 Chicken Studies: No. 3, Fighting 01:04
• John Pickard:
• 12 The Phagotus of Afranio 10:26
• 13 Ghost-Train 12:40
• Total Runtime 01:17:31

Info for John Pickard: The Gardener of Aleppo & Other Chamber Works

Four previous releases on BIS have all featured John Pickard’s music for large orchestra – or, in the case of the Gaia Symphony (BIS-2061), large brass band. This new album, on the other hand, presents scorings ranging from a solo oboe to a chamber ensemble of eight players. The seven works cover just over 30 years; the earliest one, Serenata Concertata, was Pickard’s first paid commission written at the age of twenty. In his liner notes, Pickard notes that he has an aversion to repeating himself: ‘so each new work tends to be a reaction against the character, structure and technique of the previous one… The result has been a body of work with a wide expressive range and this disc gives some indication of that. The pieces on it are grouped in a broad progression from the serious to the more lighthearted.’ The two opening works are indeed inspired by serious matters – the background to The Gardener of Aleppo is the war in Syria, while Daughters of Zion, the only vocal work on the album, sets a text that reflects on anti-Jewish aspects of certain early Christian celebrations. In the latter work, Susan Bickley joins the players of the celebrated Nash Ensemble, who go on to lighter fare in Three Chicken Studies (Pickard himself has kept chickens as pets) and Ghost Train, a perpetuum mobile built on a cantus firmus derived from the Dies iræ theme. For this and the other chamber ensemble pieces the conductor Martyn Brabbins, a longtime collaborator of Pickard’s, wields his baton.

Susan Bickley, mezzo-soprano
Nash Ensemble
Martyn Brabbins, conductor

The Nash Ensemble
has built up a remarkable reputation as one of Britain's finest chamber groups and, through the dedication of its founder and artistic director Amelia Freedman and the virtuosity of its players, has gained a similar reputation all over the world. The repertoire is vast and the imaginative, innovative and unusual programmes are as finely architectured as the beautiful Nash terraces in London from which the group takes its name. Not that the Nash Ensemble is classically restricted; it performs with equal sensitivity and musicality works from Mozart to the avant-garde, having given first performances of over 255 new works to date. These include 150 commissions especially written for the Group, providing a legacy for generations to come. An impressive collection of recordings illustrates the same varied and colourful combination of classical masterpieces, little-known neglected gems and important contemporary works.

The Nash makes many foreign tours: concerts have been given throughout Europe and the USA, and in South America, Australia and Japan. The group is a regular visitor to many British music festivals and can be heard on radio, television, at their renowned annual series at Wigmore Hall as well as at the Southbank Centre and the BBC Proms, and at music clubs throughout the country. The ensemble has won the Edinburgh Festival Critics' music award 'for general artistic excellence', and two Royal Philharmonic Society awards in the small ensemble category 'for the breadth of its taste and its immaculate performance of a wide range of music'.

Martyn Brabbins
Artistic Director of the Cheltenham International Festival of Music 2005-2007, he was Associate Principal Conductor of the BBC Scottish Symphony Orchestra 1994-2005. He is Principal Guest Conductor of the Royal Flemish Philharmonic, a position which started in September 2009. After studying composition in London and then conducting with Ilya Musin in Leningrad, his career was launched when he won first prize at the 1988 Leeds Conductors' Competition. Since then Brabbins has regularly conducted all the major UK orchestras and is much sought-after in Europe, notably in Germany, Holland, Belgium and Scandinavia.

Brabbins’ symphonic engagements have included appearances at London's South Bank in subscription with the London Philharmonic and Philharmonia orchestras, his Tokyo debut, with the Tokyo Metropolitan (where he returns in 2011); and visits to the Netherlands Radio Chamber in the prestigious Matinee series, the Residentie Orkest, Salzburg Mozarteumorchester and Lahti Symphony. He is a regular guest with the City of Birmingham Symphony, Halle and BBC Philharmonic orchestras, and appears several times each season with the BBC Symphony and BBC Scottish Symphony orchestras in subscription and at the BBC Proms.

Booklet for John Pickard: The Gardener of Aleppo & Other Chamber Works