Weinberg Pieter Wispelwey, Jean-Michel Charlier, Les Métamorphoses & Raphaël Feye

• Mieczysław Weinberg (1919 - 1996): Cello Concertino, Op. 43bis:
• 1 Weinberg: Cello Concertino, Op. 43bis: I. Adagio 04:21
• 2 Weinberg: Cello Concertino, Op. 43bis: II. Moderato espressivo 03:03
• 3 Weinberg: Cello Concertino, Op. 43bis: III. Allegro vivace 03:16
• 4 Weinberg: Cello Concertino, Op. 43bis: IV. Adagio 05:54
• Fantasy for Cello and Orchestra, Op. 52:
• 5 Weinberg: Fantasy for Cello and Orchestra, Op. 52: Adagio - Andantino leggiero - Allegro con fuoco - Andantino leggiero - Adagio 17:40
• Chamber Symphony No. 4 Op. 153:
• 6 Weinberg: Chamber Symphony No. 4 Op. 153: I. Lento 08:18
• 7 Weinberg: Chamber Symphony No. 4 Op. 153: II. Allegro molto-Moderato 07:06
• 8 Weinberg: Chamber Symphony No. 4 Op. 153: III. Adagio 10:02
• 9 Weinberg: Chamber Symphony No. 4 Op. 153: IV. Andantino 08:41
• Total Runtime 01:08:21

Info for Weinberg

Mit Mieczysław Weinberg widmet sich Les Métamorphoses unter Leitung von Raphaël Feye einem Komponisten, dessen Biografie gleichermaßen bewegt und erschüttert. In den letzten Jahren erlebte Weinbergs Musik eine Renaissance und viele noch unbekannte Werke wurden wiederentdeckt. Am überraschendsten ist vielleicht das Cello Concertino op. 43b, das auf dieser Produktion von Pieter Wispelwey (Cello) interpretiert wird. Die Partitur wurde in den Nachlässen des russischen Musikwissenschaftlers Manashir Yakubov gefunden. Zuvor war sie in keinem der Kataloge oder Dokumente des Komponisten erwähnt worden. Sie wurde in nur vier Tagen 1948 geschrieben, mit Verfolgungen und öffentlich erzwungenen Entschuldigungen ein dunkles Jahr für die sowjetische Musik. Auch seine Fantasie für Cello und Orchester op. 52 entstand in einer schwierigen Zeit von 1951 bis 1953, dem Jahr von Weinbergs Verhaftung. Jeder Abschnitt enthält mehrere Melodien, die durch ihren Charme bestechen, darunter polnische Tänze wie ein Kujawiak und ein Mazurek. Dies ist kein Werk mit der gleichen emotionalen Tiefe wie das Concertino, aber es hat dennoch eine große Wirkung. In der letzten Dekade seines Lebens schrieb Weinberg mehrere Kammersinfonien. Als letztes vollendetes Werk von 1992 enthält die Kammersymphonie Nr. 4 op. 153 viele Selbstzitate.

Raphaël Feye arbeitete langjährig mit Sir Roger Norrington zusammen. Gemeinsam mit Camille Feye gründete er Les Métamorphoses Orchestra und nahm mit dem Pianisten Julien Libeer und dem Cellisten Pieter Wispelwey bereits Werke von Haydn, Lipatti, Mozart und Weinberg für EPR classics auf. Inspiriert von den Werken Nikolaus Harnoncourts und Sir Roger Norringtons hat sich das belgische Orchester Les Métamorphoses die Aufgabe gestellt, durch die Kombination moderner und alter Instrumente eine neue Klangfülle zu schaffen.

„In Weinbergs Musik ist Dur traurig und Moll hell, denn alles in dieser instabilen Welt ist aus Trauer und Glück, aus Angst und Hoffnung gewoben.“ (Grigori Frid)

Pieter Wispelwey, Cello
Jean-Michel Charlier, Klarinette
Les Métamporphoses Orchestra
Raphaël Feye, Leitung

Pieter Wispelwey
is equally at ease on the modern or period cello. His acute stylistic awareness, combined with a truly original interpretation and a phenomenal technical mastery, has won the hearts of critics and public alike in repertoire ranging from JS Bach to Schnittke, Elliott Carter and works composed for him.

Highlights of the 16-17 season include a play-direct project with the Sydney Symphony Orchestra, a performance of the complete Bach suites at Auditorium de Lyon and the City Recital Hall in Sydney, performances of Tavener’s Svyati with the Flanders Radio Choir and two recitals at King’s Place in London as part of their ‘Cello Unwrapped’ season. Pieter will also give series of extraordinary recitals at the Melbourne Recital Centre as part their Great Performer Series, where he will perform the complete Bach Suites, Beethoven’s complete works for cello and piano, and the two cello sonatas by Brahms over the course of three consecutive evenings.

Pieter Wispelwey enjoys chamber music collaborations and regular duo partners include pianists Cédric Tiberghien and Alasdair Beatson and he appears as a guest artist with a number of string quartets including the Australian String Quartet.

Wispelwey’s career spans five continents and he has appeared as soloist with many of the world’s leading orchestras including the Boston Symphony, Dallas Symphony, St Paul’s Chamber Orchestra, NHK Symphony, Yomiuri Nippon, Tokyo Philharmonic, Sapporo Symphony, Sydney Symphony, London Philharmonic, Hallé Orchestra, BBC Symphony, BBC Scottish Symphony, Orchestra of the Age of Enlightenment, Academy of Ancient Music, Gewandhaus Orchester Leipzig, Danish National Radio Symphony, Budapest Festival Orchestra and Camerata Salzburg. Conductor collaborations include Ivan Fischer, Esa-Pekka Salonen, Herbert Blomstedt, Yannick Nézet-Séguin, Jeffrey Tate, Kent Nagano, Sir Neville Marriner, Philippe Herreweghe, Vassily Sinaisky, Vladimir Jurowski, Louis Langrée, Marc Minkowski, Ton Koopman and Sir Roger Norrington.

With regular recital appearances in London (Wigmore Hall), Paris (Châtelet, Louvre), Amsterdam (Concertgebouw, Muziekgebouw), Brussels (Bozar), Berlin (Konzerthaus), Milan (Societta del Quartetto), Buenos Aires (Teatro Colon), Sydney (The Utzon Room), Los Angeles (Walt Disney Hall) and New York (Lincoln Center), Wispelwey has established a reputation as one of the most charismatic recitalists on the circuit

In 2012 Wispelwey celebrated his 50th birthday by embarking on a project showcasing the Bach Cello Suites. He recorded the complete Suites for the third time, released on the label ‘Evil Penguin Classics’. The box set also includes a DVD featuring illustrated debates on the interpretation of the Bach Suites with eminent Bach scholars Laurence Dreyfus and John Butt. A major strand of his recital performances is his performances of the complete suites during the course of one evening, an accomplishment that has attracted major critical acclaim throughout Europe and the US. “On paper it is a feat requiring brilliance, stamina and perhaps a bit of hubris. In practice Mr. Wispelwey proved himself impressively up to the challenge, offering performances as eloquent as they were provocative” ( New York Times).

Pieter Wispelwey’s impressive discography of over 20 albums, available on Channel Classic, Onyx and Evil Penguin Classics, has attracted major international awards. His most recent concerto release features the C.P.E. Bach’s Cello Concerto in A major with the Musikkollegium Winterthur, whilst he is also midway through an imaginative project to record the complete duo repertoire of Schubert and Brahms. Other recent releases include Lalo’s Cello Concerto, Saint-Saen’s Concerto no.2 and the Britten Cello Symphony with Seikyo Kim and the Flanders Symphony Orchestra, Walton’s Cello Concerto (Sydney Symphony/Jeffrey Tate), Prokofiev’s Symphonie Concertante (Rotterdam Philharmonic/Vassily Sinaisky.

Born in Haarlem, The Netherlands, Wispelwey’ studied with Dicky Boeke and Anner Bylsma in Amsterdam and later with Paul Katz in the USA and William Pleeth in the UK.

Pieter Wispelwey plays on a 1760 Giovanni Battista Guadagnini cello and a 1710 Rombouts baroque cello.

Jean-Michel Charlier
Born in Belgium in 1959, Jean-Michel Charlier graduated with high honors in clarinet and chamber music from the Brussels Royal Conservatory of Music. He then perfected with Guy Deplus (Paris), and Walter Boeykens (Antwerp).

Member of the Orchestre Symphonique de la Monnaie during 5 years, he has been solo clarinet of the Belgium National Orchestra since 1985.

He gives concerts and recitals both in Belgium and abroad (France, the Netherlands, Germany, Italy, Austria, Spain, …) some of them have been the subject of television and radio broadcasts (RTBF, VRT, BRF, France Music …). He regularly collaborates with various well-known chamber ensembles such as the Danel Quartet, the Zemlinsky Quartet, the Ysaÿe Ensemble, Piacevole, Oxalys, Musiques Nouvelles ensemble as well as various formations within the Belgium National Orchestra.

Several composers have entrusted him with the creation of their works, including Benoît Mernier, Hao-Fu Zhang, Dirk d’Haese, Daniel Capelletti, Jean-Marie Bardèche, Sergio Montori, Emmar Lampson, Jean-Luc Fafchamps, Pierre Bartholomée, Andreas Scartazzini … without forgetting his constant desire to revive many masterpieces from the Belgian repertoire. As a soloist and chamber musician, he has recorded up to now 9 CDs (Cypres, Calliope, Fuga Libera, Kalidisk, Naxos), one of which won the Charles Cros Record Academy Grand Prix. Professor of clarinet at the Brussels Royal Conservatory of Music until 2003, Jean-Michel Charlier regularly gives internships and master classes in Belgium, France and Spain. In 2002, he won the Fuga prize for the promotion and diffusion of Belgian music with Philippe Terseleer, pianist.

Booklet for Weinberg