Visages baroques Raphaël Feuillâtre
Album info
Album-Release:
2023
HRA-Release:
31.03.2023
Label: Deutsche Grammophon (DG)
Genre: Classical
Subgenre: Instrumental
Artist: Raphaël Feuillâtre
Composer: Johann Sebastian Bach (1685-1750), Joseph-Nicolas-Pancrace Royer (1705-1755), Jean Philippe Rameau (1683-1764), Antoine Forqueray (1671-1745), Jacques Duphly (1715-1789)
Album including Album cover Booklet (PDF)
I`m sorry!
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- Johann Sebastian Bach (1685 - 1750): The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846:
- 1 Bach: The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude (Transcr. for Guitar) 01:55
- Pancrace Royer (1705 - 1755): Pièces de clavecin, Book 1:
- 2 Royer: Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) 04:28
- Johann Sebastian Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230):
- 3 Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): I. Allegro (Arr. Perroy for Guitar) 02:29
- 4 Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): II. Larghetto (Arr. Perroy for Guitar) 04:06
- 5 Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): III. Allegro (Arr. Perroy for Guitar) 02:34
- Jean-Philippe Rameau (1683 - 1764): L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar):
- 6 Rameau: L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) 05:45
- Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar):
- 7 Rameau: Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) 03:48
- Johann Sebastian Bach: Partita in B-Flat Major, BWV 825:
- 8 Bach: Partita in B-Flat Major, BWV 825: I. Prelude (Arr. Reichenbach for Guitar) 02:16
- 9 Bach: Partita in B-Flat Major, BWV 825: II. Allemande (Arr. Reichenbach for Guitar) 03:49
- 10 Bach: Partita in B-Flat Major, BWV 825: III. Courante (Arr. Reichenbach for Guitar) 03:09
- 11 Bach: Partita in B-Flat Major, BWV 825: IV. Sarabande (Arr. Reichenbach for Guitar) 05:23
- 12 Bach: Partita in B-Flat Major, BWV 825: V. Menuet I (Arr. Reichenbach for Guitar) 01:41
- 13 Bach: Partita in B-Flat Major, BWV 825: VI. Menuet II (Arr. Reichenbach for Guitar) 01:34
- 14 Bach: Partita in B-Flat Major, BWV 825: VII. Gigue (Arr. Reichenbach for Guitar) 02:28
- Antoine Forqueray (1672 - 1745): Suite No. 1 in D Minor:
- 15 Forqueray: Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) 03:45
- Jacques Duphly (1715 - 1789): Pièces de clavecin, Book 3:
- 16 Duphly: Pièces de clavecin, Book 3: No. 4, La Forqueray (Arr. Antoine Fougeray for Guitar) 04:58
- 17 Duphly: Pièces de clavecin, Book 3: No. 6, Médée (Arr. Antoine Fougeray for Guitar) 04:38
- Johann Sebastian Bach: Violin Partita No. 3 in E Major, BWV 1006:
- 18 Bach: Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau (Transcr. for Guitar) 03:21
Info for Visages baroques
Die Kritik ist hellauf begeistert von dem jungen, erfolgreichen Gitarristen Raphaël Feuillâtre. „Einer der aufregendsten Konzertgitarristen seiner Generation“, urteilt Guitar Salon International über ihn, während Classical Guitar ihn „einen fantastisch vielseitigen und sensiblen Interpreten“ nennt.
Feuillâtre feierte seinen internationalen Durchbruch 2018 als Sieger des renommierten internationalen Wettbewerbs der „Guitar Foundation of America“. Mit seinem Debüt bei Deutsche Grammophon möchte er seine Liebe zur Barockmusik teilen. Werke von J.S Bach und seinen französischen Zeitgenossen Forqueray, Rameau, Royer und Duphly hat der Gitarrist eingespielt. Einst zumeist für Cembalo solo geschrieben, wurden sie hier in die farbenreiche Klangwelt der Gitarre übersetzt.
Der Titel des Albums, Visages baroques (Gesichter des Barock), „bezieht sich auf die ganz anderen Qualitäten, die jedes Werk durch seine Bearbeitung erhält, aber er bezieht sich auch auf die vielen Facetten der Gitarre, die sich hier durch die Auswahl der Musik offenbart“, sagt Feuillâtre. Zwei große Werke von Bach sind zu hören: Das Konzert in D-Dur BWV 972, seinerseits eine Transkription für Cembalo eines Violinkonzerts Vivaldis, und die Partita Nr. 1 BWV 825. Hinzu kommen sechs französische Stücke. Gerahmt wird diese Musik von zwei weiteren, kurzen Stücken Bachs, dem Präludium in C-Dur und der Gavotte en rondeau aus seiner Partita für Violine solo in E-Dur. Nicht zu unterschätzen ist, dass das ganze Repertoire durch die Transkriptionen für Gitarre, manche bislang unveröffentlicht, ausgebaut wird.
Raphaël Feuillâtre, Klassische Gitarre
Raphaël Feuillâtre
Born in 1996, Raphaël Feuillâtre starts classical guitar lessons at the age of nine with Hacène Addadi at Cholet Conservatory. In 2012, he enters Michel Grizard’s class at the Conservatory of Nantes. Three years later, he is accepted to Paris National Superior Conservatory of Music and Dance (CNSMDP) into the class of Roland Dyens and obtains his Bachelor of Performing Arts degree in 2017 with highest honors. He is currently working on his Master’s Degree in Classical Guitar Performance with Tristan Manoukian.
Simultaneously, Raphaël is taking classes with Judicaël Perroy, who plays a very important role in his artistic development.
Alongside his studies, Raphaël takes part in various international guitar competitions, obtaining several major awards. In 2017, he wins the 1st prize in the International Guitar Competition Jose Tomas – Villa Petrer in Spain. This enables him to record his first album with JSM Guitar Records in 2018 (Bach, Granados, Tansman, Assad, Dyens) and be invited to multiple festivals in and outside France (Croatia, Bosnia and Herzegovina, Hungary, Holland, Montenegro, Spain, Brazil, Argentina, etc.).
Winner of the highly prestigious competition Guitar Fondation of America (GFA) in 2018, Raphaël is preparing the recording of his second opus (Naxos Label, 2019) and a six month tour around USA and Canada, as well as Mexico and Japan during 2019-2020 season.
Raphaël divides his time between performing and teaching. He regularly gives Master Classes during his numerous festival concert trips and has a permanent teaching position at the Music School of Villeneuve-la-Garenne in Paris region.
Booklet for Visages baroques