Dvorak: Requiem, Op. 89 Ilse Eerens

• Antonín Dvořák (1841-1904): Requiem, Op. 89
• 1 I. Introitus (Requiem æternam - Kyrie eleison) 10:44
• 2 II. Graduale (Requiem æternam) 04:39
• 3 III. Sequentia (Dies irae) 02:28
• 4 IV. Sequentia (Tuba mirum) 08:36
• 5 V. Sequentia (Quid sum miser) 06:03
• 6 VI. Sequentia (Recordare, Jesu pie) 07:03
• 7 VII. Sequentia (Confutatis maledictis) 04:42
• 8 VIII. Sequentia (Lacrimosa) 06:33
• 9 IX. Offertorium (Domine Jesu Christe) 10:53
• 10 X. Offertorium (Hostias) 10:14
• 11 XI. Sanctus - Benedictus 05:54
• 12 XII. Pie Jesu 04:19
• 13 XIII. Agnus Dei 11:12
• Total Runtime 01:33:20

Info for Dvorak: Requiem, Op. 89

Over the years, Philippe Herreweghe has amassed an extensive discography of more than one hundred recordings. In 2010 he founded his own label Phi in order to build a rich and varied catalogue in complete artist freedom.

The Collegium Vocale Gent, the Royal Flemish Philharmonic and Philippe Herreweghe join forces once again for a monument of the sacred choral repertoire: Antonin Dvořák’s Requiem, Op. 89. This work, dating from 1890, is one of those that marked a new phrase in the composer’s musical creation, in which he recognized himself “as much a poet as well as a musician”.

In addition, this reveals the veritable nature of a composer without constraint, probably being neither a commission nor an occasional work. Philippe Herreweghe offers us an interpretation as dense and concentrated as the writing of this masterpiece requires.

Ilse Eerens, soprano
Bernarda Fink, mezzo-soprano
Maximilian Schmitt, tenor
Nathan Berg, bass-baritone
Collegium Vocale Gent
Royal Flemish Philharmonic
Philippe Herreweghe, conductor

No biography found.

Booklet for Dvorak: Requiem, Op. 89