Carl Philipp Emanuel Bach Nevermind

• Carl Philipp Emanuel Bach (1714 - 1788): Sonata in A Major, Wq 48/6:
• 1 Bach: Sonata in A Major, Wq 48/6 "Prussian Sonata": II. Adagio 04:06
• Quartet in A Minor, Wq 93:
• 2 Bach: Quartet in A Minor, Wq 93: I. Andantino 05:50
• 3 Bach: Quartet in A Minor, Wq 93: II. Largo e sostenuto 04:43
• 4 Bach: Quartet in A Minor, Wq 93: III. Allegro assai 05:09
• Quartet in D Minor, Wq 94:
• 5 Bach: Quartet in D Minor, Wq 94: I. Allegretto 05:27
• 6 Bach: Quartet in D Minor, Wq 94: II. Sehr langsam und ausgehalten 03:47
• 7 Bach: Quartet in D Minor, Wq 94: III. Allegro di molto 05:37
• Quartet in G Major, Wq 95:
• 8 Bach: Quartet in G Major, Wq 95: I. Allegretto 07:02
• 9 Bach: Quartet in G Major, Wq 95: II. Adagio 04:19
• 10 Bach: Quartet in G Major, Wq 95: III. Presto 05:52
• Sonata in A major, Wq 65/32:
• 11 Bach: Sonata in A major, Wq 65/32: II. Andante con tenerezza 05:29
• Total Runtime 57:21

Info for Carl Philipp Emanuel Bach

Für ihr drittes Album auf Alpha erkunden die Musiker von Nevermind - Anna Besson (Flöte), Louis Creac'h (Viola), Robin Pharo (Viola da Gamba) und Jean Rondeau (Cembalo) - mit den Quartetten und Sonaten von Carl Philipp Emanuel Bach, den Reichtum eines wenig gespielten Repertoires. In seinem Todesjahr 1788 komponierte Emanuel seine drei Quartette für Tasteninstrumente, Flöte und Bratsche. Diese erstaunlichen Werke wurden von Sara Levy, einer begabten Musikerin in Auftrag gegeben. Sie lebte in Berlin, wo J. S. Bachs zweiter Sohn seine Karriere begonnen hatte. Dort konnte er sein kompositorisches Talent jedoch noch nicht voll entfalten: Sein Verhältnis zu König Friedrich II. war schwierig, da dieser den galanten Stil zu fördern suchte, während der junge Tastenvirtuose eine gefühlvollere, an der Empfindsamkeit orientierte Musiksprache vertrat. Erst in Hamburg, wo er die Nachfolge seines Paten Telemann antrat, konnte sich CPE Bachs Avantgardismus zu voller Blüte entfalten.

Nevermind

NEVERMIND
is a young group of four musicians and friends from the Conservatoire Supérieur, Paris, whose love for early music and jazz and traditional music led them to come together to form an ensemble whose virtuosity equals their passion for the music they perform...

Thus, it is therefore natural and undeniable pleasure NEVERMIND was created to share the music they love and to reach the widest possible audience, transcending the quartet repertoire (flute, violin, viola da gamba and harpsichord) of the 17th and 18th centuries. The many concerts given by the ensemble have only strengthened their convictions: the friendship that is blossoming between these four musicians shines with passion and the pleasure of playing, all supported by a striking complicity.

'There is nothing more truly artistic than to love people ' said Van Gogh. It is this aspect of the artist, far from the image of demiurge that tends to lend him , that all NEVERMIND seeks to convey to the public: the music sharing and is not (no longer ) reserved for the elite or public Insider!

NEVERMIND defends the idea of a music transmitted through the gift of self and whose magic can not operate without the complicity of the public ... and this complicity is born with the most natural thing in the world: the smile.

This album contains no booklet.